A high school becomes ground zero for a zombie virus outbreak. Trapped students must fight their way out — or turn into one of the rabid infected.

Just by watching Lupe stuck at home in her robe and slippers, no one would will guess that in the 80's she was a rock star. Gone are the times of concerts, fame and success. Agoraphobia does not let her leave home. She depends entirely on Paquita, his mother, a superstitious Mexican, with a huge heart, which not only takes care of his daughter but also her teenage grandson. The problem is that Paquita is running out of time and she doesn't want to leave without getting her daughter back.

Robert James, an entertainment reporter for a local Los Angeles television station, is handsome, smart and thoroughly modern in his thinking. Recently divorced from the somewhat self-absorbed Neesee, the mother of their endearing 6-year-old son, Robert refuses to buy into the old stereotype that being divorced means you can't get along with the ex.

A group of college friends rent an Airbnb for the biggest music festival of the year. But their weekend of partying quickly takes a turn, as the group is murdered one by one, in correspondence with the seven deadly sins.

One night in his near-empty tower block in contemporary London, Adam has a chance encounter with a mysterious neighbor Harry, which punctures the rhythm of his everyday life.

A group of disconnected people are brought together by a string of awkward events in post-9/11 Manhattan. A body-snatcher (Mia Tyler) is gathering dead bodies off the streets and no one seems to know why, especially the two detectives (Eddie Steeples, Peter McNolte) who are assigned to find her.

A group of disconnected people are brought together by a string of awkward events in post-9/11 Manhattan. A body-snatcher (Mia Tyler) is gathering dead bodies off the streets and no one seems to know why, especially the two detectives (Eddie Steeples, Peter McNolte) who are assigned to find her.

Repurposing the video game Sleeping Dogs (2012), IN THE LONG RUN//WE ARE ALL DEAD is a single-take experimental machinima that unfolds within the rain-soaked, neon-lit streets of a virtual Hong Kong. Operating within the aesthetics of neo-noir, the work constructs a relentless pursuit—an enigmatic chase where the identities of both the pursuer and the pursued remain ambiguous. Sirens wail, bullets ricochet, and rain distorts the cityscape, reinforcing the sense of perpetual movement and existential uncertainty. Who is the runner? What is the nature of their escape? Is there an endpoint, or is the pursuit itself the defining condition of this digital existence? Offering no resolution, the machinima foregrounds the mechanics of pursuit as a metaphor for the relentless temporality of virtual worlds and the cyclical nature of digital violence.

Mankind The Story of All of Us is an epic 12-hour television event about the greatest adventure of all time—the history of the human race.It takes 10 billion years for the ideal planet to form and 3 billion more for the right conditions to emerge before it finally happens: mankind begins. From there unfolds a fast-paced story told here through key turning points—stepping stones in our journey from hunter-gatherer to global citizen. It’s a tale of connections—why some ideas take hold and spread around the globe, and how the lives of people in one part of the world are shaped by events in another.

Clara and Ray are newly engaged. As they gather family and friends together for a dinner party to make an announcement, what begins as a celebratory evening turns into disaster as secrets and skeletons surface. One night, one mistake, one dinner changes the lives of four people.